2010-08-20

That’s not Tudor

The Tudors is an Irish/Canadian produced historical fiction television series, based loosely upon the reign of English monarch Henry VIII, and is named after the Tudor dynasty, starring Jonathan Rhys Meyers as Henry VIII.

I noticed some time ago that for a brief moment in every episode one sees the top of Stockholm’s City Hall tower against a bright orange sky (title sequence).

The thing is that the Swedish capital's City Hall is hardly an example of Tudor architecture: Stockholm’s City Hall was designed by 20th century architect Ragnar Östberg, and completed in 1923.

Of course I don’t mind the television show’s production designer’s decision to use the tower’s silhouette in this way—but how did such an unlikely thing come about? How on earth did this peculiar and unconventional national romanticist 20th century building (in far away Stockholm, of all places) end up in the opening sequence of that Irish/Canadian television series about the Tudors?

2010-08-10

Villa Spies: Buy the Book

A limited number of copies of the book by Mikael Askergren (published in 1996) about the Villa Spies are now for sale from CINE Arkitektur at this address: info@cinearchitecture.com

The Villa Spies is the futurist summer villa built in 1969 for travel industry tycoon Simon Spies high up on a rock overlooking the many islands of the archipelago just outside the baltic shores of Sweden’s capital Stockholm. The book has been out of stock for years. The offer to buy a copy of the book from CINE Arkitektur is a rare opportunity.

2010-07-04

Why Religion Facilitates Crime and Immorality

This summer, I often find myself watching reruns of The Sopranos. In last night’s episode, Christopher Moltisanti was in the hospital with a bad gunshot wound, technically dead for about one minute before being resuscitated. Everyone in the extended family, especially Carmela and Tony Soprano, brooded on their relationships to God, to the church, to religion (season 2, episode 9: “From Where to Eternity”).

The episode concludes with everything returning to “normal”—Tony kills somebody, Carmela does nothing. As usual, the occasional onset of moral brooding amongst the members of the Soprano family does not bring about any great changes whatsoever: Tony carries on with his life in crime, Carmela remains at his side, as always enabling Tony in his career as professional criminal.

One might ask oneself: how is it even possible for Tony, Carmela, Christopher, et al. to be so deeply religious, to be such hardcore Catholics, to practice such hardcore Catholicism? This is the wrong question to ask oneself. It makes more sense to ask: why do so many of us tend to assume that religion will make people “better”?

Fyodor Dostoyevsky in his novel The Brothers Karamazov famously declared that if there was no God, there would be more immorality and crime, i.e. when people do not fear punishment from God after death, they automatically become immoral killing machines and start murdering off everyone in sight—while in fact, and contrary to what Dostoyevsky would have expected, global secularization in the 20th and 21st centuries has brought more peace and higher moral standards to the world than organized religion was ever able to bring for thousands of years.

Religious people often imply that religious people are morally superior to us nonbelievers. Nothing could be farther from the truth. As it turns out, the exact opposite that is true. Religious people are in fact greater “sinners” than nonreligious people. Religion, in fact, facilitates crime and immorality:

Religious people believe that there are entities “above” mere mortals (gods, goddesses) and there are entities “beneath” mere mortals (demons). I imagine that, to religious people, the psychological leap between (a) placing only metaphysical entities above and beneath oneself, and (b) to also start placing other mere mortals above oneself (saints, nuns, priests) as well as beneath oneself (homosexuals, adulterers, thieves, confessors to other religions than one’s own, people of other nationalities or races) on the hierarchical steps of that very same metaphysical ladder must be a very short psychological leap indeed.

Once the believer makes this leap, from thinking (a) to thinking (b), the concept of metaphysical hierarchies begins to serve worldly and political and nationalist and racist purposes (for instance). The metaphysics of religion thus not only distills in people the fear of a god, but—extrapolated into the everyday—facilitates despising and debasing and looking down on other people in general as well.

By contrast, the secularized mind has no concept of a metaphysical ladder of hierarchy between entities. The psychological and political and moral leap into placing other mere mortals above or—more alarmingly—beneath oneself is much greater for nonreligious people than for religious people. No wonder secularized people are more likely to actually practice the golden rule, for instance. No wonder secularized nations are more democratic, less corrupt, less violent, more peace loving, etc.

In addition—and contrary to what the nonbeliever might expect—to the believer there never is a clear line drawn between acceptable and unacceptable (religious) behavior. Being a law-abiding citizen, for instance, is not enough for a religious person. Also the most law-abiding of citizens constantly commit religious infractions of a greater or lesser nature. In the believer’s universe, one day does not go by in which a person does not “sin” in one way or other: in the believer’s universe, everything is “bad” behavior to a greater or lesser extent.

And if there is no clear line drawn between “good” and “bad” worldly acts (if more or less all acts are more or less “bad” acts, in a religious sense), then no wonder the clear line between secular lawfulness and secular criminality is so easy for religious people to cross. No wonder deeply religious people (like Tony and Carmela Soprano) make such little distinction between petty (?) everyday sins, like cussing, and—well, murder.

By contrast, nonreligious people can live entire lives without ever feeling they are necessarily “bad” people, without feeling they are behaving really “badly”—as long as they do not break the law. In the nonbeliever’s universe, there is in fact one clear line drawn between acceptable and unacceptable behavior, i.e. the line between legal and illegal. And therefore, this clear line between legality and illegality in secular society (albeit often making more or less arbitrary distinctions: in some countries it’s illegal to drive on the right side of the road, in other countries it’s illegal to drive on left side) is really important to nonreligious people. It is in fact more important to nonreligious people than to religious people. To break the laws of secular society and to cross the border into lawlessness is psychologically and morally a very great leap indeed to make for the nonbeliever. Most nonbelievers take pride in being law-abiding citizens. Religious people not so much. (!) No wonder secularized peoples and nations enjoy societies that are less crime laden.

In today’s infected public debate about the role of religion in modern society (for or against Richard Dawkins, etc.) one often hears to religious people referring to their particular religion or religious denomination as an especially “peace loving” one, thus supposing that those religious individuals who/those religious nations which are actually making war, committing violent acts, and committing acts of terrorism in the name of religion merely are sad exceptions to the (religious) rule of thumb that religious people are “better” than other people. When are religious people going to admit to the world that violence is not an anomaly, but a normal occurrence in religion. Violence is something to be expected from both extremist individuals and organized mainstream religion. I, for one, certainly expect religious people to be prone to violence: if religious people seem peace loving and meek, the way I see it, they simply aren’t that much into it; they simply aren’t that religious to begin with...

Secular peoples/secularized nations make less war/less violence/less crime than peoples/nations of any—any!—religion. The frequency and amplitude of criminal acts and acts of violence can after all be measured. The statistics all show the same thing: nonreligious people/peoples are more peace loving. Nonreligious people/peoples behave “better!”

Dostoyevsky was obviously wrong. Religious people in general are obviously wrong: religion will never do away with disdain or oppression or violence or crime. Au contraire ma chère; religion facilitates crime: it’s easier for religious people than for nonreligious people to behave badly. Religion facilitates double standards and moral ambiguity: it’s easier for religious people than for nonreligious people to treat other people like dirt.

People would live happier and better lives—including morally better lives!—if they stopped praying and gave up their religion. Religion is not pretty; religion is certainly not harmless and cute. Religion is bad for you! Religion is bad for us all.

(This is a work in progress: first version July 4, latest rewrite November 13, 2010. Thanks to Åke Nygren for his very helpful comments.)
More by Mikael Askergren on religion and morality, and on why art is always secular and why religion always is kitsch: There Is no Religious Architecture

2010-07-03

Blast from the Past: Filthy Rich

A blast from the past: Mikael Askergren’s own description of his “Filthy Rich” proposal for the international Bo 2000 Malmö architecture and urban planning competition (1997):

Experiments are costly, prototypes are expensive. It is always the rich who are the best guinea pigs for experiments in technical and/or conceptual development: the rich can afford trying out new technologies and housing concepts that are expensive to finance (and can afford failing at making them work). The general public at large will have to wait for the cheap, mass-produced version. Or they will shop second hand.

Experimental social housing for the masses therefore is a contradiction of terms. The best of intentions (ecology, sociopolitical virtues, etc.) do not matter: when one has great restrictions financially (which one always has when one builds social housing for the masses) it’s a bit much to ask for the build/the design to be not only cost effective, but technologically experimental and conceptually advanced as well. Because prototypes are so expensive, the only aspects of the financially restricted social housing sector of the building industry that can be made the subjects of experimentation are—experiments in cutting costs: lower ceilings, lower standards, smaller rooms, etc.

At the Bo 2000 Housing Expo in Malmö, Sweden, in addition to the more or less compulsory housing estates for working and middle class (see competition brief), there should—at least as a compliment to the underfinanced (and therefore less experimental) social housing—be a series of large (very large) dwellings/houses. Such houses have greater chances at becoming “interesting” in all respects: technologically, ecologically—and sociopolitically!—and architecturally!—than even the most advanced design for low budget social housing.

2010-06-28

Blast from the Past: Labyrinths and Mazes

A blast from the past: a collection of various designs by Mikael Askergren (1992) for a hedge labyrinth/garden maze at Medevi Brunn, a great private estate in Östergötland (Ostro Gothia), Sweden. Such a hedge labyrinth in the gardens of Medevi Brunn was however never built/planted/realized.

2010-06-20

Blast from the Past: Ueno

A blast from the past: an installation proposal by Mikael Askergren (1994) for the great rotunda in the Spiral Garden art gallery in Tokyo:

(a) 10 chairs
(b) 10 business suits
(c) 10 anonymous men from Iran

Anonymous Iranians shall remain seated at all times (staff monitor and supervise visits to lavatories, etc.). The dress and appearance of anonymous Iranians shall be neat, uniform, and attractive.

Mikael Askergren, Stockholm 1994-10-31.

Footnote (1). The above proposal for a temporary art installation in the great rotunda of the Spiral Garden art gallery in Tokyo, Japan (title of installation: Ueno) was a competition entry by Mikael Askergren for the 4th international Japan Art Scholarship competition 1994. Mikael Askergren’s competition entry was rejected by the competition's jury.

Footnote (2). Tokyo’s Ueno Park is notorious for its homeless illegal immigrants, many of them from Iran. More about illegal immigrants in Tokyo’s Ueno Park (Wikipedia): Iranians in Japan

2010-06-16

Blast from the Past: Münchausen by Proxy

A blast from the past: proposal by Mikael Askergren (2004) for a warfare memorial in the former fortress and garrison town of Kristianstad, Sweden.

Mikael Askergren: “The ammunition is the thing: the choice between loading and not loading, between firing and not firing, between loose and sharp ammunition, is the choice between the fraudulent lightheartedness of Baron von Münchausen and—the cruel reality of warfare.”

Mikael Askergren, again: “Contemplating all the ammunition loaded and discharged during Kristianstad’s long history as fortified garrison town, I hereby propose as warfare memorial in the streets of the former garrison town of Kristianstad a giant piece of metaphorical ammunition—a giant, metaphorical ‘cannonball’ à la Baron von Münchausen.”

The proposal above for a warfare memorial in the (former) fortress and garrison town of Kristianstad, Sweden was Mikael Askergren’s contribution to an urban sculpture competition in 2004. Mikael Askergren’s competition entry was rejected by the competition's jury.

From the Merck Manual: “Münchausen syndrome by Proxy, MSBP, is a bizarre variant [of Münchausen syndrome] in which usually a child is used as a surrogate patient. The parent falsifies history and may injure the child with drugs or add blood or bacterial contaminants to urine specimens to simulate disease. The parent seeks medical care for the child and always appears to be deeply concerned and protective. The child is often seriously ill, requires frequent hospitalization, and may die.”

Image at top of blog entry: Hans Albers as Baron von Münchausen riding his famous cannonball in a German film (1943).

2010-05-11

Mia Tottmar: »Endera dagen slår jag någon av dem på käften.»

Tisdagens krönika av Mia Tottmar (sist i DN:s kulturdel) slår an en sträng hos mig. Om krönikan varit utlagd på tidningens hemsida hade jag länkat dit från min blogg. Men jag får istället nöja mig med att här på min blogg publicera krönikan i fråga som inskannad jpg-bild, se nedan.

Jag är alltså inte ensam om att känna mig som något av en främling i egen stad sedan gator och torg i allt högre grad börjat befolkas av culringgenerationens tonåringar och unga vuxna. Som jag ser det vill Mia Tottmar i sin krönika sätta tummen på samma slags samhällsförändringar som jag i en egen krönika för en tid sedan själv försökt beskriva: This Town Ain't Big Enough for the Both of Us

2010-03-16

Peristyle: Östermalmstorg August 1993

(Cont.)

Architectural photographer Johan Fowelin has kindly agreed to let me publish one of his 1993 architectural portraits of the Swedish capital’s subway stations (an ongoing project of Fowelin’s since 1989).

I have explained elsewhere on this blog why the architectural design of this particular 1960s downtown Stockholm subway station interests me—and why I grieve and lament the fact that it no longer looks the same (it was remodeled less than a year ago).

2010-03-06

Norrtull: uppmaning till fullmäktige

Den 15 mars röstar man i fullmäktige om Norra stations framtid. (Och om Norrtulls framtid.) Därför, varsågoda kära läsare, ett motförslag i elfte timmen.

Jag kommer i det följande inte att polemisera mot den bebyggelse man föreslår på den gamla bangårdsmarken – det finns det andra som gör. Och själv har jag redan på annan plats sagt allt jag har att säga om stadsbyggnadskontorets ständiga tendenser till »stilarkitektur» (jfr begreppet »stilmöbler»). Jag nöjer mig i det följande att diskutera den trafiklösning stadsbyggnadskontoret (läs: Aleksander Wolodarski) föreslår för Norrtull: en ny rondell.

Det är ju nämligen av allt att döma så att dagens lösning (utan rondell och med Uppsalavägen dragen öster om de båda tullhusen vid Norrtull) redan har kapacitet att ta hand om framtidens trafik förbi Norrtull.

Därför föreligger av allt att döma inte omedelbart några trafikala skäl att bygga en rondell. Det handlar mer om »stil». Man tycker nog att Norrtull av idag är trist. Man tror att det skulle bli »finare» med en (pampig?) rondell. Men personligen är jag starkt misstänksam mot stadsbyggnadskontorets illustrationer (akvareller minsann, för ökad mysfaktor!) som visar Norrtulls framtida rondell som en trevlig park med folk som strosar omkring. (Lika misstänksam som jag är mot de arkitektillustrationer som nyligen försökte få det »nya» Brunkebergstorg att se levande och välbesökt och trevligt ut.)

Jag tror snarare att det är symmetridjävulen som varit framme när stadsbyggnadskontoret nu föreslår att Uppsalavägen skall ledas in i symmetriaxeln rakt mot de båda små tullhusen. (Varför det? Varför rakt mot dem?) Trafiken kan dock inte ledas in mellan tullhusen eftersom utrymmet mellan dem inte är brett nog. Därför (!) har man placerat en rondell framför tullhusen (fortfarande i en symmetrisk komposition som utgår från tullhusen och så vidare). Min gissning är att om tullhusen stod längre ifrån varandra skulle man inte alls föreslagit någon rondell just här, då hade man lett trafiken rakt fram in mellan tullhusen och in i en trevägskorsning istället, liknande den som redan finns vid norrtull öster om Tullhusen.

Eftersom dagens lösning (utan rondell, Uppsalavägen leds öster om tullhusen) av allt att döma redan klarar framtidens kapacitetskrav föreslår jag istället att Uppsalavägen inte leds rakt mot tullhusen (som i stadsbyggnadskontorets förslag) utan istället väster om dem. Det finns nämligen stora stadsrumsmässiga vinster att göra av att dra Uppsalavägen just väster om tullhusen (istället för öster om dem, eller rakt mot dem): då förändras nämligen genast i ett slag det »tråkiga» Norrtull och den »tråkiga» södra entrén till Hagaparken i grunden (på ett mycket mer övertygande vis än i stadsbyggnadskontorets förrädiskt idylliska akvareller). Tullhusen står med ens inne i Hagaparken – istället för långt, långt utanför den.

Om fullmäktige skulle vilja hålla möjligheterna öppna för en sådan här lösning (eller någon annan alternativ lösning av norrtull med omgivning) så kan de helt enkelt undanta den östligaste delen av detaljplanen från beslutet, sådant görs med jämna mellanrum – man lyfter bort en del av en detaljplan, och godkänner resten. Jag vill därför uppmana fullmäktige att den 15 mars undanta den östligaste delen av detaljplanen från beslut, för att möjliggöra en annan utformning av Norrtull.

Dela upp Norra stationsprojektet i två delar. Behandla bebyggelsen på bangårdsmarken (fastighetsmark) för sig och trafiklösningen för Norrtull (gatumark) för sig.

Ovanstående förslag citeras i text och bild på tidskriften Arkitekturs blogg.
Ovanstående text och ovanstående illustrationer har även återpublicerats i sin helhet som krönika på yimby.se.
Se vad Yimbys läsare tyckte om förslaget här.
Läs vad som skrivits i SvD nyligen om Norra station och Norrtull här och här och här och här.